http://www.asafavidanmusic.com
Country : Israel
Genre : Alternative Rock
Style : Folk , Folk Rock , Rock , Blues
Durée 00:25:11
News , Infos , Documentary , Music , Movies , Animation AND MORE !...
http://www.asafavidanmusic.com
Country : Israel
Genre : Alternative Rock
Style : Folk , Folk Rock , Rock , Blues
Durée 00:25:11
http://www.amparosanchez.info
Country : Spain
Genre : Alternative
Style : World Music , Flamenco , Folk , Latin Music
Label : Kasba Music
Tracklist :
1.Alma de Cantaora - Con La Abuela Margarita
2.La Cuenta Atrás
3.Pulpa de Tamarindo
4.Vieja Pasión - con Mane Ferret
5.Para Tí
6.La Flor de la Palabra - con Arianna Puello
7.Vueltas - con Muerdo
8.Muchacho - con Calexico
9.Fuera Fiera - con Bebe
10.Mujer Levántate - con DePedro
11.Free Day - con Howe Gelb
12.Que Te Pedí
13.Alma Reggae Version - con chalart58
http://www.listentofeist.com
https://www.myspace.com/feist
Origine du Groupe : Canada
Style : Indie , Folk
Sortie : 2012
Durée : 00:26:02
From http://liveweb.arte.tv
Parfois, on pourrait s’inquiéter. Mais elle nous rassure aussitôt. Punkette adolescente, égérie indie, et au final dépositaire de succès planétaires ("Mushaboom", "One Evening", "1234"…), la route aurait été beaucoup plus simple pour Leslie Feist, si elle s’était laissé aller à la facilité commerciale, à la reproduction de formules. Et pourtant non. Son dernier album, Metals, paru à l’automne dernier, est une preuve de plus de son gout pour le changement, et sa capacité à mettre ses acquis au profit de choses nouvelles. Et d’ainsi continuer à proposer sa folk dans des constructions riches, intelligentes, sensibles, mais toujours accessible. Oui, Feist est populaire, mais sans jamais tricher. Et elle est là l’explication de la carrière irréprochable de Feist, et c’est sans doute ce qui ressort le plus de cette Soirée de Poche : la sincérité.
http://www.georges-brassens.com
https://fr.wikipedia.org/wiki/Georges_Brassens
https://en.wikipedia.org/wiki/Georges_Brassens
https://fr.wikipedia.org/wiki
http://brassenswithenglish.blogspot.fr
Origine du Groupe : France
Style : French Touch
Sortie : 1952
Wikipedia :
Georges Brassens, né à Sète dans l'Hérault le 22 octobre 1921 et mort à Saint-Gély-du-Fesc (également dans l'Hérault) le 29 octobre 1981, est un poète et auteur-compositeur-interprète français.
Il mit en musique et interpréta, en s’accompagnant d'une guitare, plus d'une centaine de ses poèmes et ceux d’autres poètes dont Paul Fort. Il enregistra quatorze albums de 1952 à 1976. Il reçut le Grand prix de poésie de l'Académie française en 1967.
Tracklist :
01 - La Mauvaise Réputation (2:14)
02 - Le Fossoyeur (2:08)
03 - Le Gorille (3:19)
04 - Le Petit Cheval (2:21)
05 - Ballade des Dames du Temps Jadis (2:05)
06 - Hécatombe (1:59)
07 - La Chasse aux Papillons (2:04)
08 - Le Parapluie (2:32)
09 - La Marine (2:28)
10 - Corne d'Aurochs (2:53)
11 - Il Suffit de Passer le Pont (1:59)
12 - Comme Hier (1:48)
13 - Maman, Papa (2:13)
14 - Le Mauvais Sujet Repenti (Version 78 T) (2:31)
https://www.youtube.com/artist/georges_brassens/videos
http://page.fetsum.com
https://www.myspace.com/fetsum
Origine du Groupe : Germany
Style : Folk , Soul , Alternative
Sortie : 2012
From http://www.sonarkollektiv.com
Of the many words that one might choose to define FETSUM’s long awaited debut perhaps the most accurate is ‘global’. It’s an adjective that not only summarises the sound that he has fashioned since he first started writing, but also his background. FETSUM’s parents were Eritrean revolutionists but he was born in Cairo after his mother had to flee because of a battlefield injury. After 18 months they moved to Rome for several years before heading on to Stuttgart, Germany.
It was during these formative years that FETSUM developed his love for music (from Bob Marley to Donny Hathaway and Bob Dylan) and tried to find his own voice – first in German and later in English. "It was a complete rational consideration. I always wanted to reach as many people as possible with my music. My lyrics shouldn't be only understood in these parts but all around the world."
His self declared "Urban Folk" soon proved popular. The German tabloid BILD celebrated his impressive voice and none other than reggae star Patrice began to support him after hearing his music. First by taking him on tour as opening act several times, then as a guest in his own Supow Studio in Cologne. Here FETSUM started to record his debut "The Colors Of Hope". An album rich in years of experience and astonishing maturity. Over the last three years the now Berlin-based musician shared stages with international and national acts like Estelle, K'NAAN, Peter Fox, Soehne Mannheims, Cassandra Steen and - as mentioned - Patrice. These treasures of practical experiences and also the touching story of his own and his family's life fully shine through in this first work.
"The Colors Of Hope" is once again an album you have to hear at a stretch. On the opener "Say Who You Are" FETSUM searches for his own identity in a world which to him isn't defined by country's borders and status symbols, but is always full of hope and the belief in the good in mankind. Even when he criticizes the system and its injustice in songs like "Emotional Android" and "Divided By Thoughts" the positive outweighs at all times. With "Egypt", "Homeless & Free" and "Letters From Damascus" FETSUM adds his very personal stories and tales to this brilliant piece of work. There's rarely music coming out so intimate and life-affirming at the same time. All the more it's recommended to enter the world of FETSUM and to draw hope from his beautiful songs. This voice will find its audience. There's no hope for that - but certainty.
Tracklist :
1. Say Who You Are
2. One People
3. Trials of Time
4. Emotional Android
5. Divided By Thoughts
6. Egypt
7. Homless & Free
8. Letters From Damascus
9. Waitin' for You
10. Queen of My Heart
11. Birth of a River
http://lizgreenmusic.co.uk
Origine du Groupe : U.K
Style : Folk , Jazz , Experimental
Sortie : 2012
Durée 00:50:46
Par http://liveweb.arte.tv
Liz Green, la Blogothèque l’avait découverte il y a plus de 3 ans, et l’a depuis filmée en Concert à emporter. Il lui aura fallu tout ce temps pour sortir un premier album, O Devotion. Elle prodigue ses petites chansons folks fragiles, donnant pour une fois au concept de Retromania une couleur plutôt heureuse. Simplement beau.
En concert, elle est accompagnée de cuivres et d'une contrebasse, se déguise en oiseau, et fait parfois penser avec son excentricité et ses histoires bancales et loufoques à un certain Tom Waits, l'alcool en moins et l'ironie british en plus.
Tracklist :
1. french singer
2. midnight blues
3. luis
4. rag and bone
5. hey joe
6. who killed poor robin
7. displacement song
8. Bad medecine
9. Bei mir bist du schoen
10. bad medecine
11. gallows
http://teofilo-chantre.com
https://www.myspace.com/teofilochantre
Origine du Groupe : Cape Verde
Style : Folk , Jazz World , World Music
Sortie : 2011
From http://www.amazon.com
meStissage is the sixth studio album by Cape Verdean Teofilo Chantre. As Cesaria Evora s appointed composer, Chantre has penned many beautiful songs such as Ligereza, Um Pincelada and Crepuscular Solidão. His work is characterized by a strong melodic sense and harmonic sophistication that blends in a kind of swinging Creole jazz. meStissage features Marc Estève as well as a guest appearance by Bernard Lavilliers who, after covering a Teofilo Chantre song on his latest release, joins him here for a duet.
Tracklist :
1 Tu verrais
2 Tout en ce monde
3 Alem disso
4 Gongon
5 Oli'me ma bô (avec Bernard Lavilliers)
6 Entre-temps
7 Un monde honorable
8 Lua desencantada
9 Galans de noche
10 Alma Morna
11 Pai pa fidje
12 Firmamento de nos sodade
13 Au restau de l'exil
http://anaismitchell.com
http://www.myspace.com/anaismitchell
Origine du Groupe : North America
Style : Alternative , Folk
Sortie : 2010
By Jon Lusk from http://www.bbc.co.uk
The concept album is a much-maligned thing – perhaps not unfairly, given the excesses of certain 70s prog-rockers. So the news that this Vermont-based singer-songwriter’s latest work is a folk opera based on “the ancient Greek myth of the poet Orpheus” may provoke a few groans. Fear not! Although Hadestown isn’t without fault, it is, by and large, a success.
This is partly down to the amount of time and energy that has been lavished on it, as the beautifully designed CD sleeve suggests; so much for public arts funding. Hadestown began evolving in 2006 as a stage show, which Mitchell road-tested with a 22-member cast. She also recorded one of the songs on her 2007 album The Brightness. Originally called Hades & Persephone, and performed solo by Mitchell, it’s here retitled How Long? and is a sung dialogue between Ani DiFranco (Persephone) and Greg Brown (Hades), with strings, piano and atmospheric percussion.
Mitchell’s sugar-coated, girlish vocals won’t appeal to all, and initially distract from her considerable talents as a lyricist (“The river Styx was a river of stones”), so the use of a distinguished and well chosen cast to sing the various parts is a plus. And while Brown’s creaky baritone is another acquired taste, he does make a convincing Hades. The unmistakeable falsetto of Bon Iver’s Justin Vernon (Orpheus), and Ben Knox Miller of The Low Anthem (Hermes) are definite assets, and even the usually annoying DiFranco is well cast as Persephone.
Like most operas, the plot is fairly opaque and more or less an empty vehicle for voices, so Mitchell’s mixing of contemporary and historical settings with one of the many original versions of Orpheus isn’t a problem – there’s clearly a narrative, even if it isn’t easy to follow. It’s the fine and varied arrangements by Michael Chorney and Todd Sickafoose, and Mitchell’s memorable melodies that hold things together.
In a Vaudevillian manner, she plunders a wide array of idioms, ranging from traditional American folk (Wedding Song seems to draw on Mockingbird) through Tom Waits mannerisms, country, gospel, jazz, chamber music, and the Penguin-Cafe-Orchestra-goes-to-India vibe of the instrumental Lover’s Desire. It all makes sense eventually. Kind of.
Tracklist :
01. Wedding Song (3:18)
02. Epic (Part One) (2:22)
03. Way Down Hadestown (3:33)
04. Songbird (Intro) (0:24)
05. Hey, Little Songbird (3:09)
06. Gone, I'm Gone (1:09)
07. When The Chips Are Down (2:14)
08. Wait For Me (3:06)
09. Why We Build The Wall (4:18)
10. Our Lady Of The Underground (4:40)
11. Flowers (Eurydice's Song) (3:33)
12. Nothing Changes (0:52)
13. If It's True (3:03)
14. Papers (Hades Finds Out) (1:24)
15. How Long (3:35)
16. Epic (Part Two) (2:55)
17. Lover's Desire (2:05)
18. His Kiss, The Riot (4:03)
19. Doubt Comes In (5:32)
20. I Raise My Cup To Him (2:10)
http://www.erkanogur.gen.tr
http://www.gasparyanjivan.com
Origine du Groupe : Turkey , Armenia
Style : World Music , Folk
Sortie : 2001
From http://www.cdroots.com
Notes from the artists:
Before the heart, there was time. Then the miracle occured. The heart came into being. With the command, the beat began. The first blow and the substance shakes with "Fuad" the inital moment of life where movement is born. "Fuad" is power, sound and rhthym. The heart begins life zealously, beating fast... Speeds up, slows down; gets high, gets down. Desire, fear, love, joy, sorrow, music, ecstacy, shock, fatigue/ attack, disease, halt and restart.
Then a signal to the substance, and comes the moment of ceasing... "Fuad". From the minute infinity to the magnanimous one, from nothing to being, "Fuad" commences the universe. There, neither the first nor the last can be defined. Absolute being is the sole reality. Before the heart, the moment of the heart, after the heart; this is the question. There are moments when the heart is broken, that's the instance that breaks "Fuad". The happiest moment of the heart is "Fuad", it sees, hears, touches, tastes, smells, loves, discerns, feels with "Fuad". And we think with "Fuad".
The talents we have and the talents we can never discover are "Fuad". Logic is formed at the heart, and might be cruel or loving as granted. "Fuad" is in the service of matter/ whether human or not, known or unknown, und whether will be discovered, be it living or non-living. Yearning for "Fuad" is a gift to the dreams of humanity.
Percussion: Soner Akalin
Percussion: Selda Ozturk
Percussion: Emre Kocabas
Percussion: Ferruh Yarkin
Classical Kemenche: Derya Turkan
Classical Guitar: Erkan Ogur
E-bow: Erkan Ogur
Duduk: Armen Gazaryan
Duduk: Djivan Gasparyan
Fretless Classical Guitar: Erkan Ogur
Bas duduk: Vazgen Makaryan
Tracklist :
01 – Yemen (08:39)
02 – Siresi Yarisdaran (09:10)
03 – Volor Molor (09:35)
04 – Yes Pucur Yaris Pucur (01:48)
05 – Fuad (06:36)
06 – Perde Kalkti (06:11)
07 – Siyah Perçemlerin Gonca Yüzlerin (04:42)
08 – Mayrig (07:44)
09 – Lorik (02:47)
10 – Dönüs Yolu (02:14)
http://www.georges-brassens.com
https://fr.wikipedia.org/wiki/Georges_Brassens
https://en.wikipedia.org/wiki/Georges_Brassens
https://fr.wikipedia.org/wiki
http://brassenswithenglish.blogspot.fr
Origine du Groupe : France
Style : French Touch
Sortie : 1952
Wikipedia :
Georges Brassens, né à Sète dans l'Hérault le 22 octobre 1921 et mort à Saint-Gély-du-Fesc (également dans l'Hérault) le 29 octobre 1981, est un poète et auteur-compositeur-interprète
français.
Il mit en musique et interpréta, en s’accompagnant d'une guitare, plus d'une centaine de ses poèmes et ceux d’autres poètes dont Paul Fort. Il enregistra quatorze albums de 1952 à 1976. Il reçut
le Grand prix de poésie de l'Académie française en 1967.
Tracklist :
01 - La Mauvaise Réputation (2:14)
02 - Le Fossoyeur (2:08)
03 - Le Gorille (3:19)
04 - Le Petit Cheval (2:21)
05 - Ballade des Dames du Temps Jadis (2:05)
06 - Hécatombe (1:59)
07 - La Chasse aux Papillons (2:04)
08 - Le Parapluie (2:32)
09 - La Marine (2:28)
10 - Corne d'Aurochs (2:53)
11 - Il Suffit de Passer le Pont (1:59)
12 - Comme Hier (1:48)
13 - Maman, Papa (2:13)
14 - Le Mauvais Sujet Repenti (Version 78 T) (2:31)
https://www.youtube.com/artist/georges_brassens/videos